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Romy Schneider (23 September 1938 – 29 May 1982) was a film actress born in Vienna who held German and French citizenship. She started her career in the German Heimatfilm genre in the early 1950s when she was 15. From 1955 to 1957, she played the central character of Empress Elisabeth of Austria in the Austrian Sissi trilogy, and later reprised the role in a more mature version in Visconti's Ludwig. Schneider moved to France, where she made successful and critically acclaimed films with some of the most notable film directors of that era.

Early life

Schneider was born Rosemarie Magdalena Albach in Vienna into a family of actors that included her paternal grandmother Rosa Albach-Retty, her Austrian father Wolf Albach-Retty, and her German mother, Magda Schneider. After her parents' divorce in 1945, Magda took charge of Romy and her brother Wolf-Dieter, eventually supervising the young girl's career, often appearing alongside her daughter. Her career was also overseen by her stepfather, Hans Herbert Blatzheim [de], a restaurateur who, Schneider indicated, had an unhealthy interest in her

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Romy Schneider's first film, made when she was 15, was When the White Lilacs Bloom Again in 1953, credited as Romy Schneider-Albach. In 1954, Schneider, for the first time, portrayed a royal, playing a young Queen Victoria in the Austrian film Mädchenjahre einer Königin (known in the U.S. as The Story of Vickie, and in Britain as Victoria in Dover).

Schneider's breakthrough came with her portrayal of Empress Elisabeth of Austria, in the romantic biopic Sissi (1955) and its two sequels, Sissi – The Young Empress (1956), and Sissi – Fateful Years of an Empress (1957), all with Karlheinz Böhm, who became a close friend. Less stereotypical films during this busy period include The Girl and the Legend (1957), working with a young Horst Buchholz, and Monpti (1957), directed by Helmut Käutner, again with Buchholz.

Schneider soon starred in Christine (1958), a remake of Max Ophüls's 1933 film Liebelei (in which her mother Magda Schneider had played the same role). It was during the filming of Christine that Schneider fell in love with French actor Alain Delon, who co-starred in the movie. She left Germany to join him in Paris, and they announced their engagement in 1959.[6]

Schneider decided to live and to work in France, slowly gaining the interest of film directors such as Orson Welles for The Trial (1962), based upon Franz Kafka's The Trial. She was also introduced by Delon to Luchino Visconti. Under Visconti's direction, she gave performances in the Théâtre Moderne as Annabella (and Delon as Giovanni) in John Ford's stage play 'Tis Pity She's a Whore (1961), and in the film Boccaccio '70 (segment: "The Job"). In 1962, Schneider played Anna in Sacha Pitoëff's production of Chekhov's play The Seagull, also at the Théâtre Moderne.

A brief stint in Hollywood included a starring role in Good Neighbor Sam (1964), a comedy with Jack Lemmon, while What's New Pussycat? (1965), although American-financed, was shot in and around Paris. Schneider co-starred with Peter O'Toole, Peter Sellers, and Woody Allen.

Schneider and Delon decided to separate in 1963, although they remained close life-long friends. They continued to work together in such films as La Piscine (The Swimming Pool, 1968), which revitalized her career, and The Assassination of Trotsky

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